Movie Review – Transformers: Dark Of The Moon

I’m a little late on this one, as I didn’t watch it till it came out on BluRay.  Having said that, there may be some spoilery info here for the random few of you who haven’t seen it yet…

I like Michael Bay.  I really do.  I think he’s an immensely talented director who doesn’t deserve the tons of crap heaped upon him most of the time.  Let’s face it, if you want to film something explode–have it rise into the air and begin rotating on fire, in slow motion–then he’s the guy you call.  Period.  I’ve never been a huge Transformers fan though, (the show was to be avoided by me and my brother growing up in favor of He-Man and the Masters of the Universe and G.I. Joe.  And don’t you DARE cross-pollinate my G.I. Joe with these giant robots.)  But the first film was an enjoyable fun romp.  The second one was an unmitigated disaster.  Anytime something was fighting or blowing up it was cool, but everything else just kinda sucked.

I’m sad to say the trend continues in the third installment.  It opens promisingly enough, with the exciting tidbit that much of history is in fact, a coverup for something else.  The Apollo landing on the moon was actually a secret mission to explore a crashed Transformer ship.  The Chernobyl explosion was actually a failed Russian experiment on a Transformer power source.  Okay, cool.  I like it when history is twisted to meet the needs of my Sci-Fi.  We meet Sentinel Prime, a brilliant scientist and leader of the Autobots in days long gone.  And of course, there’s LOTS of things exploding and rising into the air on fire in slow motion.  One of my favorite sequences involves special ops guys “squirrel flying” their way through the buildings of downtown Chicago)

But as with REVENGE OF THE FALLEN, anytime something isn’t exploding the film just drags.  We spend WAY too much time with Sam Witwicky (Shia Lebeouf becoming more whiny with each installment.  I like him as an actor, but think maybe he needs to pursue some different projects that actually require some acting.  Maybe re-invent himself like DeCaprio) and his EMPLOYMENT PROBLEMS?  Really?  We’re gonna focus on his attempts to get a JOB in a movie with GIANT ROBOTS?  Jon Turturro, star of a number of brilliant Cohen Brothers films like THE BIG LEBOWSKI (and one of my personal favorites, BRAIN DONERS) is back as a former special agent turned author, and Rosie Huntington-Whiteley made a fine replacement for Megan Fox, (and there’s Michael Bay’s Victoria’s Secret commercials coming into play).  She’s hot, and a better actress to boot, but really?  We’re gonna focus on Sam’s romantic issues in a movie with GIANT ROBOTS?  Other casting surprises include Firefly’s Alan Tudyk as a German… hitman?, John Malkovich, and Leonard Nimoy, but did we mention this movie has GIANT ROBOTS?!?

Okay, so the robots have problems too.  Optimus Prime is hands down, the baddest guy on the block.  The fact that they got Peter Cullen back to voice him front he cartoon speaks to his longevity.  But every movie they seem to remove Optimus from the proceedings for half an hour or more.  They give him the coolest toys, then take them away nearly as soon as they’ve introduced them.  Jet engines, wings, an axe and a REALLY big gun… just a few of the props that disappear on the way side.  Nimoy’s Sentinel Prime is a big problem, actually.  I love the fact that they got him, and I love the fact that they had a bit of fun with the idea of it being Nimoy.  BUT, since we’ve had multiple jokes to drive home the fact that STAR TREK exists in THIS universe as a TV show… (One of the Robots flips on the TV, sees Trek and comments “Oh, I’ve seen this, this is the one where Spock goes nuts” and multiple instances of Bumblebee communicating with Trek clips, “I have been, and always shall be, your friend…”) But then Sentinel is chastising Optimus and says, “You never understood that the needs of the many, outweigh the needs of the few…”   REALLY?!?  You’ve crossed the line from homage to rip off now.

And then there’s the plot.  Or lack there of.  It’s a convoluted mess that involves a transmit teleport bridge that will bring an army of Decepticons to Earth… from the moon.  Where they’ve been hiding for the last millennium or so, waiting for the signal.  Apparently at NO point during that wait did it occur to them to just FLY to Earth and take over the planet before the technology existed to possibly defeat them.  And worse, Hugo Weaving (who is always good in EVERYTHING) as Megatron is given the line “the only way to revive him: we needed Prime and his matrix.”  …So, you planned to loose that fight in the first movie all along?  Seems like a lot of effort to have your ass kicked by Optimus Prime for two movies BEFORE you brought in the big guns, but what do I know?

TRANSFORMERS: DARK OF THE MOON is a flashy spectacle with a lot of eye candy.  It’s also a perfect, shining example of what’s wrong with Hollywood, and gets my vote for worst film of the year…

TRANSFORMERS: DARK OF THE MOON – D

Movie Review – Sherlock Holmes: A Game Of Shadows

* Spoiler Free Review

Sherlock Holmes is one of the great characters in literary history, and has been re-invisioned (or regenerated, if you like) seemingly as many times as the Doctor.  Guy Ritchie’s film franchise version has dusted off the formula and injected it full of adrenaline, playing up Holmes eccentricities, focusing on his bare knuckle boxing skills, an in general creating an enjoyable event film.  Not everyone enjoyed the re-imagining, but I did, reveling in the fun of the first film. (I also thoroughly enjoy Steven Moffat’s Sherlock, which is a completely different take on the character, and just as entertaining.)

With A GAME OF SHADOWS, the ante has been upped, (as indeed, it must with sequels).  Robert Downey Jr. and Jude Law had fantastic chemistry in the first film as the title detective and Dr. John Watson, and I’m pleased that it carries through here, the verbal sparing and cheeky shenanigans only part of the chemistry these two have created.  They feel very much like brothers as well as best friends, and you get the sense that even if the plot was complete junk you’d enjoy hanging out with the pair of them for a few hours.  Downey’s Sherlock feels a bit more manic and unpredictable here (some instances work, others–like the scene where he’s drinking embalming fluid–feel a little forced, almost as if he had trouble finding his way back to the role after inhabiting Tony Stark for the upcoming THE AVENGERS.)  But Downey is a great actor, and soon finds his way back to Sherlock.  But this Sherlock is haunted by Professor Moriarity (a mesmerizing performance by Jarred Harris) both in word and deed.  The supporting cast is just as good, with special props for a surprise visit from Stephen Fry, who plays Sherlock’s brother Mycroft.

While not complete junk, the plot is overreaching, creating a global conspiracy that has our heroes traveling all over Europe.  While this definitely falls under “upping the ante” it detracts from the very cool London that housed the first film, and Sherlock feels a little bit out of his element in parts.  For all his schemes and wheels within wheels, Moriarity’s end game was telegraphed midway through the film, and felt recycled at that.  Not much surprise there.

A note of delight to the climax of the film, which literary buffs will recognize from Arthur Conan Doyle’s work, and the sheer genius of the ending.  Bravo!  Bravo! I say!

In short, I enjoyed A GAME OF SHADOWS, and had a great time at the theater.  I don’t believe it was quite as good as the first, but it’s still a solid film and well worth watching.  I just don’t know that it has the same re-watchability as the original SHERLOCK HOLMES.

SHERLOCK HOLMES: A GAME OF SHADOWS B+

Episode 52 – Hurtling Towards Earth In A Space Suit

We’ve been waiting a few months now and Sunday finally brought us a terrific Christmas present – NEW DOCTOR WHO!

In this weeks episode we review The Doctor, The Widow, and the Wardrobe. *In keeping with Vortex policies, anything that has officially aired is fair game for review, BUT for those of you who live in areas where it hasn’t aired yet, SPOILER ALERT!  And we have a special guest in studio this week. A regular listener (and my cousin) Jon Boy joins us for this week;s show.

We also talk about our initial impressions of the Doctor Who: Worlds in Time open preview. And of course, your feedback. Hope everyone had a wonderful Christmas holiday!

Enjoy!

Links mentioned in the show:

Doctor Who: Worlds in Time
Doctor Who Re-incarnated
Boxing Day wiki

Side Trip 1 – Christmas Party!

Welcome to our first Side Trip, and this one is our (soon to be annual) Christmas party!

As our gift to you, we thought we would give you a special episode. It’s full of special holiday greetings from our friends, and a special commentary that you can listen to while watching last year’s Doctor Who Christmas special, A Christmas Carol.

We hope you enjoy, and HAPPY HOLIDAYS!

Friday Night Who 12/23/11

Tonight’s Friday Night Who is our first with Matt Smith, as we watch last year’s Christmas Special, “A Christmas Carol.” Please join us for the tweet-a-long, as we’ll be recording live audio commentary for the episode as part of our Christmas special podcast! (And if you’d like to have your Christmas greetings included, there’s still time to send them to us via our Google Voice Number!  Follow @vortexshaun, @VortexKeith, @vortexglenn and @travelvortex and look for the #FridayNightWho and #AChristmasCarol hashtags.  We push play at midnight, CDT.

Christmas With The Doctor

In all the excitement building up over “The Doctor, The Widow And The Wardrobe” we forgot to mention that it is airing on BBC America day and date with it’s BBC counterpart station overseas.  So, for those of us on the America side of the pond, it will air Christmas Day at 8pm central, and on BBC one in England, 7pm (that’s 1pm our time.)  Space will air the special in Canada the next day.

Also for subscribers of BBC America, you can spend all day with the Doctor, starting at 6am Central when the channel will re-run ALL of series six in it’s entirety, and in order!  Merry Christmas!

Movie Review – The Muppets

In the better late than never category, here’s my review of one of the best films of the year:

Admittedly, I love the muppets.  I love the TV show, the movies, the characters, and the mythos.  And if there’s one thing this film does well, it preserves and enhances the mythos.  Jason Segel has done something incredible, which is to take these time-less characters down from the top shelf at Disney, dust them off and turn them loose for another romp through Hollywood.  And they do.  And they do it with the same style, flare and panache that you remember.  Kermit, Fozzie, Gonzo, Rolf, Dr. Teeth and the Electric Mayhem, they’re all here, all handled with tender loving care.  Some of them even have surprisingly real character arcs, and it makes them all the more believable.  The newest addition to the gang, Walter, feels like he walked off the set of the Muppet Show in the 1970s, but has all the sensibilities of today’s world.  It works.

The humans are pretty good too, with both Segel and Chris Cooper (as a villainous oil baron) being outstanding.  Amy Adams–who should fit right in–is the only one that seems to come across a bit flat, but that may be more from her whining character’s personae.  (and in fairness, you do sympathize with her character.)  And it wouldn’t be a Muppet movie without a slew of celebrity cameos, some of which delighted, some of which surprised, and some of which felt like Disney exerting their influence.

One part musical comedy, one part loving tribute, THE MUPPETS is an amazing film.  I laughed, I cried, I spent two hours with good friends I hadn’t seen in a long while, and found that yes, we could fall back into the same conversations we remembered.  Some of the jokes are very “in universe” (and I was glad to have just recently gone back and watched THE MUPPET MOVIE, GREAT MUPPET CAPER, MUPPETS TAKE MANHATTAN and MUPPETS FROM SPACE–which are what I consider to be the four essentials–before seeing this one), some of the characters are “OMG I REMEMBER HIM!” and while the situations are standard Muppet fare (an evil plot to take over the studio must be foiled by midnight!) you really don’t care.

It’s time to play the music, it’s time to light the lights… The Muppets are back, ladies and gentlemen.  RUN to see this movie.

THE MUPPETS – A+

Doctor Who: Worlds in Time in Open Preview

From BBC Worldwide:

BBC Worldwide Digital Entertainment and Games today announced the open preview launch of Doctor Who: Worlds in Time, the new browser-based, free-to-play multiplayer online game. Developed in partnership with Three Rings, an award-winning developer of persistent online worlds, such as Puzzle Pirates and Spiral Knights, the game is the first-ever multiplayer game based on the Doctor Who television series.

Beginning today at DoctorWhoWIT.com, Doctor Who fans and gamers everywhere can enjoy the mystery and community of Doctor Who: Worlds in Time, which draws on the rich mythology, locations and excitement of the beloved television show.

“Our goal with Doctor Who: Worlds in Time is to expand engagement with the immensely popular Doctor Who brand and allow fans to deeply immerse themselves in that universe,” said Robert Nashak, executive vice president, BBC Worldwide Digital Entertainment and Games. “The game’s multiple worlds, its varied, wonderful characters and monsters, and changing story arcs will appeal to both Doctor Who fans and casual gamers alike.”

Doctor Who: Worlds in Time is designed for devotees of the show looking for a quick pick-up-and-play game, and life-long gamers and sci-fi enthusiasts seeking increased social engagement. Players choose among four races and endless possible character combinations to create their avatars. They can join together in missions identified by the mysterious Time Lord to defend civilization by undertaking interventions against infamous villains bent on creating chaos and destruction in the universe. Throughout the game, players will explore deep immersive worlds (e.g., Skaro, Messaline, The Library and New New York) featuring iconic monsters (e.g., Daleks, Cybermen and Weeping Angels), delivering the authentic experience of being part of the Doctor Who realm.

“As a huge Doctor Who fan, the chance to develop this game with BBC Worldwide was a dream opportunity,” said Daniel James, CEO of Three Rings Design, Inc. “We’ve worked to provide Doctor Who fans an experience that matches the quality and imagination of the TV show, and a forum to introduce casual gamers to this remarkable world with an experience accessible to players of all levels.”

While the game is free-to-play, revenue is generated through micro-transactions. Players can enhance their experience and accelerate their progress in the game through the purchase of Chronons, which will help them to complete missions, customize their avatars, build new contraptions and more.

Doctor Who, one of BBC Worldwide’s flagship brands, is the longest-running science fiction series in the world. It’s the story of the Doctor, the mysterious traveller in time and space, who has saved the universe so very many times. The Doctor is a Time Lord, one of a legendary race of powerful beings whose job it is to observe and record, but never interfere. 2011 was the biggest year ever for Doctor Who on BBC AMERICA with record ratings and mass critical acclaim. The series broadcasts in more than 70 million homes and On Demand across all major digital platforms. The Christmas Special, “The Doctor, The Widow and The Wardrobe,” premieres on December 25 at 9 p.m./8 p.m. Central on BBC AMERICA and at 8 p.m. on BBC One in the UK.

Doctor Who: Worlds in Time will launch commercially in the first quarter of 2012.

Episode 51 – Cook! Where’s My Hossenfeffer Key?

This week, we finish up Series Four with the fan extravaganza that is The Stolen Earth, and Journey’s End. We bid a sad goodbye to Donna’s time with the Doctor.

Also, we discuss the news about the departure of Amy and Rory.

And of course, your feedback.

Cook! Cook! Where’s My Hossenfeffer!

Links in this week’s show:

Weeping Angel Tree Topper

“Cartmel Masterplan” and here

Down The Vortex Way Come Christmas

As 2011 winds down, we’re getting all wound up.  This week’s Friday Night Who closes out David Tennant’s series four with the E P I C two part story “The Stolen Earth” and “Journey’s End”, which will be the topic of discussion for episode 51. (And barring any more Doctor Who episodes rescued from the lost and found, should result in a lively, if shorter discussion this week than last week’s behemoth-lurking-as-a-podcast anniversary special.)

The following week is Christmas, and how appropriate that for Friday Night Who (which since we start at midnight on Friday technically means first thing Christmas Eve) we’ll hit the most Christmassy of all Christmas specials with “A Christmas Carol.”  It’s the eleventh Doctor’s first time on FNW, so join us for some fun!  Also, a special note.  We will be doing a “LIVE” recording that night, putting together a special Christmas episode.  40% podcast, 50% audio commentary on the episode, 30% candy canes and all kinds of fun (Wonka math, gotta love it!)  So be sure to join us on Twitter for the Tweet-A-Long and we’ll read your comments out on the podcast.  This is not our normal show, (or part of the podcast line up) just holiday greetings from us to you!

Since we’ve already reviewed “A Christmas Carol” (all the way back in episode 1!) Episode 52 will in fact cover Matt Smith’s NEWEST Christmas special, “The Doctor, The Widow, and the Wardrobe”, as it airs on Christmas day and we’ll be recording Christmas night!

The following week is New Years Eve, and what better way to spend Friday Night Who than with Paul McGann’s eighth Doctor, ushering in the millennium in “Doctor Who: The Movie”?  Again, we’ve already reviewed it, (see episode 7) but its a perfect primer for episode 53, our first foray into the world of Big Finish Audio.  And who better to hold our hand for the transition, than the eighth Doctor?  In true Traveling The Vortex style we plan to skip around their universe a bit too, but we’ll be reviewing the first three McGann stories from the main line; “Storm Warning”, “The Sword Of Orion”, and “The Stones Of Venice” (numbers #16, 17, and 18 in the chronology).  So you’ve got two weeks to listen!

And the new year has plenty of good stuff on tap, including an Adversary Archive on the Ice Warriors, a farewell to David Tennant as we conclude the specials, a full blown look at the Time War, more Big Finish audio, and the return of the Black Guardian. I’ll go into more details later, but for now can only say “Spoilers.”

 

12/16 – Friday Night Who: “The Stolen Earth” / “Journey’s End”

TTV #51 – “The Stolen Earth” / “Journey’s End”

12/23 – FNW: “A Christmas Carol”

TTV Christmas Greetings (With our audio commentary for “A Christmas Carol”)

TTV #52 – “The Doctor, The Widow, and the Wardrobe”

12/30 – FNW: “Doctor Who: The Movie”

– 2012 –

TTV #53 – Big Finish Stories #16 “Storm Warning”, #17 “The Sword Of Orion”, #18 “The Stones Of Venice”

1/6 – Friday Night Who: “The Seeds Of Death”

 

Hope you can join us for the fun, and as always, THANK YOU for listening!